Fasces

Fasces ( /ˈfæsz/, a plurale tantum, from the Latin word fascis, meaning "bundle")[1] are a bundle of wooden sticks with an axe blade emerging from the center, which is an image that traditionally symbolizes summary power and jurisdiction, and/or "strength through unity".[2] Fasces frequently occur as a charge in heraldry, and should not be confused with the related term, fess, which in French heraldry is called a fasce.

Contents

Origin and symbolism

The traditional Roman fasces consisted of a bundle of birch rods, tied together with a red leather ribbon into a cylinder, and often including a bronze axe (or sometimes two) amongst the rods, with the blade(s) on the side, projecting from the bundle. They were carried by the lictors who accompanied the magistrates. The axe often represents the power over life or death through the death penalty, although after the laws of the twelve tables, no Roman magistrate could summarily execute a Roman citizen.[3] It was used as a symbol of the Roman Republic in many circumstances, including being carried in processions, much the way a flag might be carried today.

Usage

The term is related to the modern Italian word fascio, used in the 20th century to designate peasant cooperatives and industrial workers' unions.

Numerous governments and other authorities have used the image of the fasces for a symbol of power since the end of the Roman Empire. It has also been used to hearken back to the Roman republic, particularly by those who see themselves as modern-day successors to the old republic and/or its ideals. Italian Fascism, which derives its name from the fasces, arguably used this symbolism the most in the 20th century. The British Union of Fascists also used it in the 1930s. However, unlike (for example) the swastika, the fasces, as a widespread and long-established symbol in the West, has avoided the stigma associated with much of fascist symbolism, and many authorities continue to display them, including the federal government of the United States.

Antiquity

The fasces lictoriae ("bundles of the lictors") symbolised power and authority (imperium) in ancient Rome. A corps of apparitores (subordinate officials) called 'lictors' each carried fasces as a sort of staff of office before a magistrate, in a number corresponding to his rank, in public ceremonies and inspections. Bearers of fasces preceded consuls (and proconsuls), praetors (and propraetors), dictators, curule aediles and the Flamen Dialis. During triumphs (public celebrations held in Rome after a military conquest) heroic soldiers—those who had suffered injury in battle—carried fasces in procession.

Roman historians recalled that twelve lictors had ceremoniously accompanied the Etruscan kings of Rome in the distant past, and sought to account for the number and to provide etymologies for the name lictor.

Fasces-symbolism might derive—via the Etruscans—from the eastern Mediterranean, with the labrys, the Anatolian and Minoan double-headed axe, later incorporated into the praetorial fasces. There is little archaeological evidence.[4]

Traditionally, fasces carried within the Pomerium—the limits of the sacred inner city of Rome—had their axe blades removed. This signified that under normal political circumstances, the imperium-bearing magistrates did not have the judicial power of life and death; within the city, that power rested with the people through the assemblies. However, during times of emergencies when the Roman Republic declared a dictatorship (dictatura), lictors attending to the dictator kept the axe-blades even inside the Pomerium—a sign that the dictator had the ultimate power in his own hands. But in 48 BC, guards holding bladed fasces guided Vatia Isauricus to the tribunal of Marcus Caelius, and Vatia Isauricus used one to destroy Caelius's magisterial chair (sella curulis).

Fasces in the United States

The following cases all involve the adoption of the fasces as a visual image or icon; no actual physical re-introduction has occurred.

Fasces in France

A review of the images included in Les Grands Palais de France Fontainebleau [6][7] reveals that French architects used the Roman fasces (faisceaux romains) as a decorative device as early as the reign of Louis XIII (1610–1643) and continued to employ it through the periods of Napoleon I's Empire (1804–1815).

The fasces typically appeared in a context reminiscent of the Roman Republic and/or of the Roman Empire. The French Revolution has used many references to the ancient Roman Republic in its imagery. During the First Republic, topped by the Phrygian cap, the fasces is a tribute to the Roman Republic and means that power belongs to the people. It also symbolizes the "unity and indivisibility of the Republic",[8] as stated in the French Constitution. In 1848 and after 1870, it appears on the seal of the French Republic, held by Liberty. There is always the fasces in the arms of the French Republic with the "RF" for République française (see image below), surrounded by leaves of olive tree (as a symbol of peace) and oak (as a symbol of justice). While it is widely used by French officials, this symbol never was officially adopted by the government.[9]

The fasces appears on the helmet and the buckle insignia of the French Army's Autonomous Corps of Military Justice, as well as on that service's distinct cap badges for the prosecuting and defending lawyers in a court-martial.

Other modern authorities and movements

The following cases all involve the adoption of the fasces as a symbol or icon; no actual physical re-introduction has occurred.

Sources

See also

Notes

  1. ^ Merriam-Webster Online Dictionary: fasces
  2. ^ Fascio
  3. ^ Livius.org, fasces
  4. ^ "Fasces". 2011-03-26. http://www.livius.org/fa-fn/fasces/fasces.html. Retrieved 2011-04-13. 
  5. ^ The Supreme Court Historical Society
  6. ^ Les Grands Palais de France Fontainebleau , I re Série, Styles Louis XV, Louis XVI, Empire, Labrairie Centrale D'Art Et D'Architecture, Ancienne Maison Morel, Ch. Eggimann, Succ, 106, Boulevard Saint Germain, Paris, 1910
  7. ^ Les Grands Palais de France : Fontainebleau , II me Série, Les Appartments D'Anne D'Autriche, De François I er, Et D'Elenonre La Chapelle, Labrairie Centrale D'Art Et D'Architecture, Ancienne Maison Morel, Ch. Eggimann, Succ, 106, Boulevard Saint Germain, Paris, 1912
  8. ^ Site of the French Presidency
  9. ^ Site of the French Presidency

External links